Synopsis

Decaying, festering, decomposing, weathering: Thomas Draschan’s work, which premiered in Rotterdam, is a visual feast, a popular-cultural tempest of images, a masterwork exploding on the screen. This is pure film – in form, rhythm and editing. Digitized high resolution images form a rapid flow of visual associations. A filmic Large Hadron Collider that lets images explode in the viewer’s head. Micro and macrocosm, sex and religion, old Egypt and the Space age are juxtaposed in this purely cinematic 35mm piece. A “theory of everything” way before modern physics could come up with one.