Gender, Labour and Historiography: Rethinking Women's Contribution to the History of Animation - Bella Honess Roe (University of Surrey, Guildford, UK)

Panel 2: WOMEN IN ANIMATION 30/09 WED 12:35–13:05h &TD

A "Blind" or “Tactile” Animation Approach - Georges Sifianos (ENSAD, Paris, France)

Panel 3: ANIMATION AND POETRY 30/09 WED 13:50–14:20h &TD

Dedicated to Pier Paolo Pasolini. Readings, Stylistic References and Poetics of Italian Animation Authors - Paola Bristot (Academy of Fine Arts of Venice, Italy)

Panel 3: ANIMATION AND POETRY 30/09 WED 15:00–15:30h &TD

Expanding on Borrowed Words: The Animator as Author in Animated Poetry-Film - Georg Diederik Grobler (Fopspeen Moving Pictures / University of South Africa, Pretoria, SA)

Panel 3: ANIMATION AND POETRY 30/09 WED 15:00–15:30h &TD

Animated Textology: Strategies of Reading in A. Khrzhanovsky’s Films on Pushkin and Beyond - Mikhail Gurevich (Independent scholar, Evanston, IL, USA)

Panel 3: ANIMATION AND POETRY 30/09 WED 15:35–16:05h &TD